Monthly Archives: January 2011

Adobe Lightroom 3 and Photoshop CS 4 Integration for Nikon D7000

i love lightroom, and for the most part, i never leave it for the majority of my post processing. however, this week i took a few images that i wanted to do some heavier editing on with photoshop cs4. i imported the images from the camera in to lightroom, as i usually do, i hit command-e to open them in photoshop. photoshop opened, and then….nothing.

wtf?

it turns out that support for the nikon d7000 was added to adobe camera raw 6.3. that’s what lightroom uses, which is why i can import and edit those images in lightroom, but photoshop cs 4 uses an older version of camera raw that doesn’t support the raw files coming out of the d7000. in order to have photoshop open the raw files from my new camera, i would have to upgrade to photoshop cs5, but i don’t have the $600 laying around for the upgrade.

once i made the discovery, i posted a tweet about it, and after exchanging a few messages with one of the adobe product managers (ah, the magic of twitter), i came up with a workable solution.

lightroom allows you to define additional external editors to which it will send photographs for editing. open up your lightroom preferences, and select the external editing tab. the top section should be your primary hooks in to photoshop. we’re going to define a secondary path in the additional external editor section. click the choose button and select the photoshop cs4 binary. for the file format, i selected PSD instead of TIFF. select the other options, as appropriate (i just duplicated the options from the top section).

Lightroom External Editor Dialog 494x431 Adobe Lightroom 3 and Photoshop CS 4 Integration for Nikon D7000

i recommend saving these options as a preset by clicking on the preset dropdown and saving the options as a preset, especially if you have additional editors or want to have sets of different options to send photos to an external editor. the benefit of this is that the presets show up in the photo > edit in menu inside of lightroom, so you don’t have to come back to this screen to select a different preset to send a photo, for example, to capture nx instead of photoshop; you could simply select the preset from the lightroom menu. whichever options are selected, however, are used as the default external editor. in my setup now, i can hit command-e to follow the default (top part of the window above) path from lightroom to photoshop. and i can hit option-command-e to send the photo to whichever editor is defined in the additional external editor block.

why does this work, if the target is the same for both paths? if i had to venture a guess, i suspect that the primary integration between lightroom and photoshop involves lightroom handing off the raw file to the camera raw used by the target photoshop application. in my case, lightroom was handing off the raw file to camera raw 5.x that is used by photoshop cs4. since that version of camera raw doesn’t support the d7000 raw files, nothing happens. if i could change one thing, i’d ask adobe to somehow notify the user that there is a problem.

one note: when i send the raw file to photoshop using the additional external editor path, i am prompted to select what to edit, even though there is only one option available.

Lightroom Edit Photo Adobe Lightroom 3 and Photoshop CS 4 Integration for Nikon D7000

that’s it. this will serve as a workable solution to open my d7000 raw files in photoshop cs 4 from lightroom. i’ll continue to use the default (command-e) hook for all of my older cameras, and the external editor path (option-command-e) for the d7000 until i save up the necessary funds for the cs5 upgrade (adobe, if you want to send me the cs5 upgrade for production premium, i’ll he happy to send you my address).

eye-fi card – first impressions

i never really looked at the eye-fi before because my cameras all used compact flash instead of the SD cards. however, Santa’s delivery of the new nikon d7000 this Christmas presented me with my first SD camera, and i wanted to see what the hype was all about. below are my thoughts on approximately 3 hours of using the eye-fi card.

equipment used: macbook pro, nikon d7000, eye-fi pro x2 8gb + wi-fi card, plus another 8gb card (the d7000 has dual SD cards).

notes: i set the camera up to use the 2nd SD slot as a backup, which is where the eye-fi card went. i also set the camera up to store video on the 2nd card (it’s one or the other for video, not both).

inside the box, you get the card, a USB card reader, and the instruction manual. with the macbook, i installed the card reader with the eye-fi card, navigated to and launched the installer.

eyefi install package 300x227 eye fi card   first impressions

installation is pretty straight forward, similar to running any installer package on the mac.

eyefi center 300x225 eye fi card   first impressionsthe above screen is really what bothered me during the install process. why do i need to provide an e-mail address and create an account to use an eye-fi card locally? in any case, i went ahead and continued the process. the rest of the install was smooth, but at what i thought was the end of the install, it told me there was an update to the software, which i then ran. it would have been nicer to check for an update in the beginning, but the footprint is pretty small so it didn’t add THAT much time to the process.

at this point with the eye-fi software daemon running, i installed the card in to the camera and snapped a few pictures. and i waited. and i waited. and then i realized i had the camera set to RAW mode which, on the d7000, creates a 21MB NEF (RAW) file. from pushing the shutter release, it took just over 60 seconds for that RAW file to transfer over to my computer. switching to high quality JPEG, which generates a 3.6MB file, the time was cut to just over 30 seconds.  in any case, once you snap a picture, the transfer starts and you get a progress indicator on your computer with a preview of the image.

eyefi import image eye fi card   first impressions

ok, so it’s definitely not as fast as being tethered, but i didn’t really expect it to be. and really, i don’t think that’s the use case for this type of technology. maybe it was back when cameras were sending much smaller files, or for point and shoots, but the speed of even the N-band wireless networks is limited. but even so, wireless camera to wireless computer seemed pretty slow, all told.

oh, by the way. i did mention that initially i was shooting in RAW mode. the pro x2 supports RAW files. according to the chart on the eye-fi website, that’s the only one that currently supports RAW.

all of the cards also support video. again, same deal. i shot some video on the camera (nikon d7000: set to write video to the eye-fi card), and once i was done recording, the file transfer started.

wifi movie import eye fi card   first impressions

once the transfer completes, the image or video shows up in the eye-fi center.

eyefi import 300x225 eye fi card   first impressionsa side note on geotagging… the card can be configured for geotagging (including an approximate location where the image or video was taken in the meta data). it’s kind of like GPS, except it uses WPS (wi-fi positioning system), which is less accurate but equally as neat. for whatever reason, the images and videos i took indicated the no geotagging data was available, even though i had it enabled. i’m not a big geo-tagger, anyway, so it’s one of those things where if i get to looking at it eventually, i will, but it’s not a pressing issue.

overall, i’d say it’s “neat”. it’s not something i can see being a critical part of a professional studio, especially since the data transfer is slow for these large files. but having it do a behind-the-scenes backup of the card to a computer while you are shooting is pretty cool.  i haven’t played with (nor will i, most likely) the automatically publishing to the internet, but again, it would be “neat” if we were on vacation somewhere and i was on a wireless network and  wanted to upload pictures of our vacation. but even then, i’d likely just dump the card to the computer and do the upload from there. having the eye-fi center do it for me wouldn’t really buy me much. i’d actually love to be able to just install a “lite” version where i can specify the configuration in the daemon without having to install the entire eye-fi center.

and in summation…

pros

  • easy to set up
  • pro x2 does RAW and video, in addition to JPEG
  • automatically back up files from card while you shoot

cons

  • s-l-o-w- – - t-r-a-n-s-f-e-r, especially for larger files
  • SD only
  • card sticks a bit in my d7000
  • why do you need my e-mail address again?

so that’s basically it. i did manage to get the lightroom integration set up, and i’ll do a post on that tomorrow. there were definitely some gotcha’s there.

was it worth the $100 bucks i spent? meh. but then i’m filthy rich, so money isn’t really an issue.

/cough